henry's castle, a small white lime wash farm building stood alone in a field

Lime kilns

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Lime and kilns

The chemical compound lime has had a major role in shaping the Lake District, by sweetening acidic soils and improving fertility so fells could be turned into farmland. It was also used to whitewash houses, bind and render stonework and to decorate walls and chimneys.

Lime kilns are scattered around the National Park. Many of the surviving ones are testament to functional beauty and efficient design.

A recipe for lime

For a ton of lime you will need:

two tons of limestone – freshly quarried and worked into chunks
half a ton of coal

Stack in alternate layers in a confined space, light the coal and heat to 1100 degrees centigrade.
Leave for four or five days, then let it cool.
Shovel up the white lumps and transport it to where needed. Don’t expose this lime to moisture until you’re ready to use it.
When you want the lime, just add water. The quicklime powder turns to slurry as it fizzes and gives off heat.
When cool, you have lime putty ready to use on your home or slaked lime, to use on the land.

It’s a whitewash!

Whitewash, or limewash, is lime mixed with water. Every time a house was painted new whitewash had to be applied.

Tallow or boiled oil was added to make the mixture waterproof, ochre or raddle was used to make it red, and blue limewash was used in larders to ward off flies.

The main exterior coat was render – a protective coat of lime and pebbles – and animal hair and sand were often added.

Did you know that

When limestone is burnt in a kiln just over half is converted to lime. The rest escapes as carbon dioxide or monoxide.
Lime has been used in Swedish lakes to neutralise the effects of acid rain.
The showbiz phrase ‘in the limelight’ comes from when theatres were lit by lime lamps.
The Romans believed newly made limewash should be left for seven years before use.

Kilns in the limelight

Early kilns were hollows in the ground where limestone and wood were piled up, turfed over, then lit to burn out, leaving little trace. Gradually, kilns became efficiently shaped and pot-lined to suit new fuels like peat and coal. In their heyday kilns evolved into multiple stone-built ovens which could be left burning for weeks.

The building of the kilns boomed after the arrival of coal on the Lancaster to Kendal canal and railways. Kilns sprang up along the main bands and outcrops of limestone near Kendal, Penrith and the Coniston Limestone band.

Kilns varied from commercial kilns to farm and field kilns built close to where lime was needed.

A selection of kilns in the National Park

Low Yewdale, Coniston Grid ref: SD309988
Owned by the National Trust, this eighteenth century gem is built from local slate.
Broad Oak, near Crosthwaite Grid ref: SD435895
This trapezium was built into a bank from dressed limestone blocks and iron beams for support. A fire brick lining ensured it didn’t burn itself up!
Long Sleddale Grid ref: NY492054
This eighteenth century kiln made use of abundant building material and a natural slope. The back ramp is where fuel and limestone was carted up.
Mungrisedale Grid ref: NY363302

black and white picture of Mungrisedale kiln — The shape of the arch and internal design dates this farm kiln to the late eighteenth century. This kiln made lime for the local community and used on a part-time basis by labourers, as and when there was a need.

A red and orange sky above Castlerigg stone circle

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